This is my March article! Feedback and criticism are encouraged.
When watching a show I don’t think ‘Well politically correctly there should be two more minorities’
I’m thinking ‘This is suffocating, this isn’t what life is like, why do i not exist, why do my friends not exist, what the fuck is with this idealisation of one type of person?’
'then write one' is such a fucking shitty response to the desire for more representation in media
guess what? i write shit that i want to see in media all of the goddamn time
and eight thousand fucking notes on my post is proof i am not alone in this desire
people create these things all of the time
but they are kept quiet, their voices are taken and modified for the status quo
don’t ask us ‘to write one’
ask about what happened after we did and why you’ve never heard of it
Singer uses her music video to intriguingly show how fake performers are in videos
Hungarian musician Boggie sits still and sings for her latest music video… So what makes it interesting?
As she performs, her video editor retouches her skin, hair, facial features, and lighting during the song so that by the end everything looks “right”…
(This is actually really cool: Source)
"are there any characters you don’t headcanon as queer?”
why would i want to do a thing like that
yeah let’s keep on eroticizing homosexuality it’s such a blast
you hear that guys I a queer person am fetishizing queer people by desperately searching for representation in a world where I have pretty much none why didn’t any of you guys tell me
i don’t hate macklemore i hate the fact that the media portrays cis heterosexual white men to be the saviours of minorities
And people laugh when I tell them women are still invisible in this world.
I rang the literary editors of a few ‘respected’ papers and asked them how much space they were giving to women writers in their ‘review’ sections. Perfectly predictable response. They all said the allocation was fair. One said it was equal, and one prominent editor went so far as to say women are dominating the reviews!
… What happened when I asked who was doing the talking in mixed sex conversations? Well, it was the women of course. And then when you get to measure it you find that women get to talk about 10-20% of the time in conversations with men. A woman who talks about a third of the time is seen to be dominating the talk.
And what happened when I asked teachers who got their attention in class? Well, it was all equal, wasn’t it? No preferences there. And you measure it and find that girls get about 10-20% of the teacher’s attention. Any more, and the boys think it unfair - and go into revolt.
So what do you think I found with the reviews?
I would have predicted about 10-20% of the space went to women’s books. Well, it is less than 6% of the column inches. And the reasonable editor who thinks that women are getting more than their share is one of the worst offenders. Poor boys! It really tells you something when they think only 94% of the review section is not enough, doesn’t it? When 6% for women is too much you get some idea how much men think they are entitled to - as a fair deal.
The laughter at transgender people’s expense didn’t end there, either. One month after Ace Ventura premiered I saw Naked Gun 33 1/3, the hit comedy in which Anna Nicole Smith’s character does a sexy silhouette striptease that ends up revealing a penis. Once again, her former suitors are appalled. Then there’s the famous Tone Loc frat anthem “Funky Cold Medina,” the second verse of which finds Loc talking about a girl he meets named Sheena. After the two flirt, Loc takes Sheena home, where it’s revealed that she’s transgender. The rapper, who you might remember also co-starred in Ace Ventura, throws Sheena out of his house, saying, “I don’t fool around with no Oscar Mayer wiener.” Even in supposedly queer-friendly movies like 1991’s Soapdish you’ll find characters disgusted by transgender people, like when Robert Downey Jr. gags after having a romantic interlude with a trans woman.
Repugnance is a common theme in the trans-people-as-jokes canon. But more prevalent is the element of deceit. Time and again in both comedic and dramatic films, transgender people are cast as deviant tricksters out to fool innocent victims into sleeping with them. This narrative plays upon two of America’s deepest fears: sexual vulnerability and humiliation. Not only is your sex partner “lying” about their gender, victims who “fall for it” are then forced to grapple with the embarrassment of being had, of being seen as gay. Men “tricked” into sleeping with another man are embarrassed by the threat to their masculinity. So much culture has taught us that transgender people aren’t just sexual aliens, they’re also predatory liars.
Shoutout to the countless queer people of color that are killed every year with zero media coverage.
When I reblog or point out things about celebrities and the problematic stuff they do, I’m not saying you’re a bad person for liking them. I’m not saying they should be hated. I’m not even saying that I dislike them.
Part of being a fan (including movies and all other media) is recognizing problematic content and not supporting that specific content. You can still enjoy a movie, show, celebrity, etc. even if they aren’t the greatest or the most inclusive.
I admit, I do enjoy some things that are problematic, but I actively acknowledge that and try to inform others about it.
The BBC has put out a call for new comedy scripts that promote positive portrayals of Transgender people in mainstream comedy.
The call is through its Writersroom initiative, which was set up to promote new writing talent.
Callinf it the Trans Comedy Award, the deadline for entries is February 28, and will pay a writer or writers up to£5,000 (about $7,900) to develop a pilot.
The BBC says it looking for original sitcoms, comedy dramas or sketch shows featuring transgender characters and/or themes – written for television.
“At the heart of it all is the writer, and at BBC Writersroom it is our passion to find the most exciting writers, voices and stories that might not have been heard and then support them as they work in partnership across the BBC,” said the BBC’s creative director of new writing, Kate Rowland.
Rowland will judge the award along with BBC head of creative resources Ian Critchley, executive producer for BBC Comedy Jon Plowman and an as yet unnamed comedy writer or actor.
By the way, the challenge is open to writers across the globe, BUT with one caveat:
If you are not currently a UK resident you can still submit but, if selected, the UK must be your place of residence for at least two years from the end of May 2013. This is required in order that selected scripts can be developed in conjunction with the BBC as per the current average timeline for development.
So, yes, you can submit from wherever you are, but if your script is selected, be prepared to move to the UK in May, where you’ll live for at least 2 years. If that’s cool with you, then, give it a go.
Click HERE to read the full terms and conditions of the competition.
sometimes i feel like an asshole for flat out refusing and having no interest in media that does not have prominent female characters or (potential) lesbian main/subtext, but then i remember for roughly two decades i’ve been force-fed heteronormativity in literally all corners of media and haahaHA oh yea i’m not the asshole